Archive for November 18th, 2014
Fan View: Martha Heimberg talks about Kay Ryan
When: Thursday, June 4, 7 pm
What: Salon: Fan View: Martha Heimberg talks about Kay Ryan
RSVP for location: wordspace@wordspace.us
Born in California in 1945 and acknowledged as one of the most original voices in the contemporary landscape, Kay Ryan is the author of several books of poetry, including Flamingo Watching (2006), The Niagara River (2005), andSay Uncle (2000). Her bookThe Best of It: New and Selected Poems (2010) won the Pulitzer Prize for Poetry.
Ryan’s tightly compressed, rhythmically dense poetry is often compared to that of Emily Dickinson and Marianne Moore; however, Ryan’s often barbed wit and unique facility with “recombinant” rhyme has earned her the status of one of the great living American poets, and led to her appointment as U.S. Poet Laureate in 2008. She held the position for two terms, using the appointment to champion community colleges like the one in Marin County, California where she and her partner Carol Adair taught for over thirty years. In an interview with the Washington City Paper at the end of tenure, Ryan called herself a “whistle-blower” who “advocated for much underpraised and underfunded community colleges across the nation.”
Ryan’s surprising laureateship capped years of outsider-status in the poetry world. Her quizzical, philosophical, often mordant poetry is a product of years of thought. Ryan has said that her poems do not start with imagery or sound, but rather develop “the way an oyster does, with an aggravation.” Critic Meghan O’Rourke has written of her work: “Each poem twists around and back upon its argument like a river retracing its path; they are didactic in spirit, but a bedrock wit supports them.” “Sharks’ Teeth” displays that meandering approach to her subject matter, which, Ryan says, “gives my poems a coolness. I can touch things that are very hot because I’ve given them some distance.”
Kay Ryan is the recipient of several major awards, including fellowships from the John D. and Catherine T. MacArthur Foundation, the National Endowment for the Arts, the Ingram Merrill Foundation, and the Guggenheim Foundation. She has received the Union League Poetry Prize and the Maurice English Poetry Award, as well as the Ruth Lilly Poetry Prize. Since 2006 she has served as a Chancellor of the Academy of American Poets.
Martha Heimberg, presenter, has been writing about theater, the arts and historic preservation for over 30 years for numerous Texas newspapers and magazines, including Dallas Weekly, D Magazineand Texas Monthly. She currently writes a weekly theater column for Turtle Creek News. She has won awards from the Dallas Press Club and the Texas Historic Commission, and is a founding member of the Dallas Fort Worth Theater Critics Forum. She coordinates DART’sPoetry in Motion program, and has served many years on the WordSpace board. Her degrees in English and comparative literature are from Southern Methodist University. She is associate professor of English at Northwood University in Cedar Hill, Texas.
Angela Ards Book Release Salon
Friday, February 5, 7:30 pm
Book Release: Words of Witness: Black Women’s Autobiography in the Post-Brown Era (University of Wisconsin Press)
Bonus: Darryl Dickson-Carr will conduct an interview with Professor Ards
Bonus #2: Hosted by Sanderia Faye
RSVP for location: 214-838-3554, wordspace@wordspace.us
Angela Ards has published extensively on African American literature and culture in the post-civil rights era, a historical moment that demands recalibrated ways of thinking about black identity as questions of gender and class complicate allegiances and agendas previously based on race. Her book examines how writers bring their lived experience to bear on crafting both a language and a politic that might account for this new stage of African American history. She received her PhD from Princeton University and teaches at SMU.
“Ambitious, timely, engaging, and provocative. Angela Ards, erudite and remarkably widely read, situates her analysis of a new political ethic grounded in black women’s experience at the intersection of autobiography studies, feminism, black literary history, and cultural and political theory.”
